If there is one nagging albeit minor flaw in “One Night In Miami,” brilliantly directed by Regina King and written by formidable Kemp Powers (see it on Amazon asap), it is the absence of any representation of a constant brooding presence in Cassius Clay’s inner circle of 1964.
Lots going on there, think Ash Resnick was with Liston. Mike ended up getting both sides of the story, as usual ...